The events of July 20th, 2012 in Aurora, Colorado were deeply disturbing. They were so disturbing that some modern astrologers simply refused to look into the killer’s chart much, believing that something so heinous must be beyond astrology. I’ve always been very interested in the astrology of the worst experiences in life, not so that I can blame them on the stars as some might believe, but because I view astrology not as causal but as a language, as a system of signs from the gods or some higher intelligence. Therefore, when something particularly bad happens, I wonder if there was any such indication given by the gods or some higher intelligence through a celestial language of signs.
It is not easy for me to come to grips with the fact that this world creates people like Adolf Hitler, Jeffrey Dahmer, and James Holmes, who commit horrible atrocities. However, the world does create such people and they are indeed part of our reality, one that ranges from the most sublime expansive spiritual experiences to senseless random unfair cruelty like this tragedy in Colorado. I do astrology because it’s what I do, but I remain agnostic about my beliefs with regards to a great many things, so events like this repulse me, make me cry, and lead me to pray for the victims and their families and for protection for myself and my loved ones against such idiotic displays of cruelty.
About a week ago, the birth certificate of the Colorado movie theater shooter, James Holmes, was unearthed and his birth time uncovered. In ancient astrology a valid birth time is essential to character analysis as it sets the rising degree which determines which topics are assigned to which signs, in what is called the houses of the chart. Now that we have a birth time for James Holmes, I would like to make a couple brief notes about the chart which reiterate some of the important points I’ve raised in past posts about critical factors for character analysis, issues with the use of essential dignity in the community, and the use of advancement in assessing planetary prominence. This will not be an in depth look at the events and will largely be devoid of timing techniques. I may delve into such topics at some future point.
James Eagan Holmes was born on December 13th, 1987 at 9:04pm in La Jolla, California (source). His basic chart is shown below.
Some of the most important factors in character analysis include the Ascendant and 1st house, its lord, the Moon and her separations and applications, the Sun, Mercury, and general planetary strength and weakness.
Holmes has Leo rising, with the Ascendant in the bound of Mercury, so we expect some “self-identification” with the Sun and Mercury, with their placements in the chart being fairly important to the character, even more so than typical. The Sun would make someone attention-getting, competitive, leading, powerful, achieving, and dominant, but this more so if the Sun is regarding the Ascendant also, strong, and is somewhat prototypical (in a place of its dignity). Mercury would make someone clever, flexible, complicated, analytically skilled, and possibly a bit mischievous, and again more so if also regarding the Ascendant, strong, and somewhat prototypical. Both the Sun and Mercury regard the Ascendant and are advancing (see the last post for more on advancement), so we do expect something of the solar and mercurial to be quite evident in the nature of the character. In his chart these planets are together in the 5th house, that of Good Fortune, which pertains to physical enjoyments and achievements, such as entertainment. They are ruled by Jupiter which is in the 9th house, which among other things pertains to higher education, and is particularly scholarly here in the bound of Mercury (also stationing direct, bringing very good benefits through higher ed to the native).
However, we find that the solar personality is modified quite substantially in the chart by the fact that the Sun is adhering (i.e. applying conjunction within 3 degrees) to the out of sect malefic, Saturn, in Saturn’s bound. Saturn pertains to darkness, death, the macabre, and cruelty, especially when out of sect, so there is a sense of this solar being staying in the room of a malicious Saturn and powerfully joining up with Saturn over time. Mercury is also in assembly with this Sun-Saturn (applying conjunction within 15 degrees in the same sign) while under the beams of the Sun, signifying hidden plans or communications. So overall, from the lord of the Ascendant and its bound lord, which are also two of the chart factors that have some general bearing on the look at the mind and spirit in the chart, we get the sense that James Holmes is a solar-mercurial figure with a somewhat choleric personality belying some darkness, depression, dark malicious thoughts and so forth. Additionally, the twelfth-part of the Ascendant, which can show a hidden emphasis in the mind of the native, is in the 8th place of death and harm (as are the twelfth-parts of Fortune and Spirit, and the regular position of the Lot of Necessity).
Another very important factor for personality is the Moon, which Ptolemy (2nd century CE) regarded as particularly important for understanding the more instinctive or body-linked part of the mind (i.e. the subconscious), as opposed to the rational mind (which he associated with Mercury). The separations and applications of the Moon were thought to be extremely significant by many ancient astrologers, and are, for instance, delineated by Julius Firmicus Maternus (4th century CE) with descriptions that have bearing on character.
The Moon in this chart is at 29 Virgo, in the sign of Mercury and the bound of Saturn. So far we are seeing a reiteration of the importance of both Mercury and Saturn in understanding the character, revealing again a sense of intellect or scholarship, as well as possible darkness, obstruction, or cruelty. The Moon is also conjunct the South Node of the Moon very closely, which is the eclipse point, and often associated with Saturn, suggesting again a sense of darkness. Turning to the Lots we find that the Moon is also conjunct, in the same degree, the Lot of Affliction, which is the lot which pertains to the worst sorts of evils, afflictions, and problems (more on the Lot of Affliction here). Also, the Lot of the Moon, called Fortune, which pertains to physical and circumstantial happenings, is very closely conjunct Mars, the planet of violence and aggression.
The Separations and applications of the Moon are also interesting in the chart. The Moon separates from a square with Saturn, but applies to nothing, being void (i.e. the Moon completes no application within the next 13 degrees of travel, or about a day, thus is not “connecting” with any planets, “connection” being the terminology for a degree-based aspect). So it is as if we have a Moon fresh off connecting with a rather cruel Saturn from a rather tense square aspect and then just going off aimless, suggesting a personal impulse from cruelty toward randomness, with Saturn (bound lord and last planet connected with) setting the tone.
In the last two posts, which were part of my beginner series, I looked at the importance of advancement in assessing planetary prominence. James Holmes will be particularly well known for his brutally violent criminal actions. In his chart we find Mars as strong as can be, actually conjunct an angle, the IC at the bottom of the chart. While I haven’t gotten into the “stakes” of the chart yet, it is also important to mention that Mars is in a “stake”, the 4th house, which also makes it more prominent. The next most advancing planets are the assembly of Mercury, the Sun, and Saturn. However, note that the only two planets that are retreating in the chart are both benefics, Jupiter and Venus, which are additionally cadent (i.e. the 12th, 6th, 9th, and 3rd are also weaker houses). Thus, while the events in the life see the volume turned way up on Mars, they see the volume turned down on the benefics. Competitiveness, aggression, and violence get “featured” in the life.
It’s probably a good time to revisit the issue of essential dignity and its misuse and general overuse in the astrological community. As with my polemic on this issue in which I discussed Jeffrey Dahmer’s many highly “dignified” planets, including Dahmer’s very dignified Mars in Aries, the chart of Holmes also warns against using dignity in any sense in which it makes a planet act more benefically or more “dignified” in its expression. Mars is in Scorpio, both in domicile and with first triplicity (a solid +8 in late traditional dignity pointing systems), yet the display of violence that this person brought into being was anything but dignified. What we see instead is a Mars that is quite prototypically Mars, as in violent, and in the bound of Mercury adds a sense of cleverness, irony, and weirdness. A Mars more Mars-y, but definitely not a “better” Mars in a beneficence or honor sense.
Even in terms of strength, we must be careful not to attach a lot of importance to sign-based dignity. It is worth noting for instance that Michael Phelps has Mars in Cancer, the sign of its fall. Mars being a planet of brawn, competitiveness, and atheticism, we’d be mistaken to say that these things are weak with Michael Phelps because Mars is in fall. On the other hand, from an associative point of view, Mars in Cancer fits Phelps well, as it links those things with water, both by being in a water sign and the sign of the Moon, which rules over bodies of water and swift travel.
It’s my hope that this short look at the chart of the mass murderer, James Holmes, will assist astrologers in more quickly picking out those chart factors that matter for character delineation and will encourage critical thought with respect to the status quo manner by which traditional astrologers today tend to evaluate planets by sign-based dignity.
And the changing of the planets must be understood, which has five parts: the first, if [a planet] were in the second or first station. The second, while it is being hidden from the Sun or goes out from being hidden […] (Abu Ma’shar, The Abbreviation of the Introduction to Astrology, Book IV, 34-36, Dykes trans., 2010, p. 233)
In the last two posts I introduced a little bit about the history of astrology, the basic significations of the planets, how to pull up charts for free on the internet, and how to judge planetary prominence by “advancement”. Please read the first two posts in this series and familiarize yourself with a few charts and the techniques before proceeding. The first post can be accessed by clicking here, and the second by clicking here.
In this post, the main objective is to gain an understanding of some planetary prominence considerations that are powerful, immediate, and don’t depend on theoretical concepts of sign, house, or aspect. Along the way, there will be a little bit of review.
Astrologers of the Perso-Arabic period, such as Abu Ma’shar and al-Qabisi, explicitly distinguished matters that would make a planet signify more or less prominently (i.e. strength) from matters that would make a planet signify pleasant or unpleasant things (i.e. beneficence), and these from the nature and quality of that being signified (i.e. types). These are very important distinctions and it is too often the case that one or more of these distinctions is missing in an astrological system or that they are mixed together such that the sign a planet is in plays too much of a role determining all three.
In modern astrology there tends to be a strong focus on the type or quality of the signification, and the factor that tends to be stressed is the zodiacal sign in which a planet is located. For instance, one might assert that Venus, signifying the love nature, when in Scorpio makes for an intense, passionate, reactive/jealous, and/or secretive sexuality. On the other hand, in many, if not most, traditional astrological circles today there is a strong emphasis on use of the zodiacal sign for strength considerations, and often beneficence too. For instance, Venus, signifying young women, the arts, sexuality, and marriage, when in Scorpio might be considered in her detriment, and thus her ability to bring about successful relationships might be hampered (poor strength), or her ability to bring about the matters signified by the houses she rules or topics she is given responsibility for in the chart (poor strength), and some astrologers would even say that because of the so-called detriment she tends to signify bad quality women or relationships, such as malicious women, sexual problems, or misfortune through the arts (negative beneficence). All in all, most people with exposure to either modern psychological astrology or late traditional astrology tend to get in the habit of thinking in terms of planets in signs.
The signs are rather abstract divisions of the sky and I believe that too much emphasis has been placed on the signs especially when it comes to strength and beneficence considerations. I will introduce the signs of the zodiac in the next lesson, while in this lesson I would like to focus on some additional significations of planetary prominence in a chart. As with advancement, discussed in the previous lesson, these factors don’t depend on a zodiac, a house system, or a system of planetary aspects. They have a greater sense of immediacy than such concepts, and are in my opinion the three most important factors for what I call “general prominence”.
Ancient authors tend to lump together many factors for prominence and follow-thru, simply noting that they pertain to strength. In my own experience I’ve had to separate out some of these strength factors as pertaining at least to general prominence (loud or noteworthy in signification in the life), personal prominence (influential over key areas of the life such as the character), and follow-thru (stability or instability of what is signified). In this way, it becomes possible for a planet to be strong in one sense but not in another, such as having a person who is constantly surrounded by artists and artistic events (Venus generally prominent), who is an intellectual (Mercury personally prominent), whose relationships tend to start out strong and significant but to lack staying power (Venus or relationship significators with weak follow-thru). Additionally, for predictive purposes I’ve found it to be very important that the range or variance of a planet’s indications are looked at, in addition to the central tendency. For instance, a planet might be generally strong in one sense, such as strongly advancing, and generally weak in another, such as stationing retrograde. In such a case I would likely judge the planet to be centrally prominent due to having a major prominence indication but for the fall from prominence to be triggered by times when a retrograde station of the planet was highlighted. There will be more on this in future lessons, but the main idea is that a life is lengthy and complex, so reading a natal chart is about taking inventory of central tendency and the degree of variance, not making absolutist proclamations.
The three most basic indications of general prominence that I look at are:
Advancement – Covered in the last lesson. These are the approaching alignments of a planet with a location as they happen 4 times each day.
Stations – This is when a planet appears to stop and reverse its direction of travel relative to the stars as observed from Earth. They mark out days when a planet is particularly prominent with the frequency varying according to which planet is being looked at.
Phasis or Appearance, also Combust and Cazimi – This is when a planet appears for the last time in the sky before traveling too close to the Sun (“under the beams”) to observe or appears for the first time after emerging from the beams. This also marks out days of planetary prominence which vary in frequency depending on the planet.
Spend a little time reading astrological chit-chat on the internet and you will surely encounter the term “retrograde” and a whole lot of commotion whenever Mercury is retrograde. In the last lesson we looked at planets moving clockwise around the chart, where they rise on the left side of the chart, culminate at top, set on the right side, and anti-culminate at the bottom. This is the “primary motion” of the planets and stars caused by the Earth’s daily 24-hour rotation cycle. However, the planets move in the opposite direction through the sky against the backdrop of the stars (through the signs of the zodiac) very near to the same path followed by the Sun (at least as we see it from Earth). The path is called the ecliptic (think “eclipse”), and the motion of each planet going slowly counter-clockwise around the chart, from west to east, each at its own pace, is called the “secondary motion” of the planets.
The secondary motion of the planets the same motion that you would study in high school astronomy class when you observed the Earth and other planets traveling around the Sun, but we study it in astrology from the position of the observer, on Earth, as astrology is oriented to the observer and the Earth as the center of the frame (a Geo System), rather than taking as its focus maximum theoretical elegance as is the case in astronomy where an external abstract point is the center of reference with regard to the system, the barycenter or center of mass of the solar system, which tends to reside within the Sun but up to about a solar radii outside of its surface at times (due to the massive gravitational pull of Jupiter), yielding a Solar System. Using the Sun as a frame of reference the planets run their circuits around it, never reversing direction. However, from the vantage point of the Earth, planets farther out from the Sun appear to stop and move backwards while being overtaken by the Earth as seen in the video below.
Similarly, planets closer to the Sun (i.e. Mercury and Venus) appear to move backwards when on the opposite side of the Sun from Earth, as seen in the video below. The retrogradation is the backwards loop that appears to be traced in the sky when Venus is opposite the Sun from Earth.
Here is one more video in which you can see a real time-lapsed video of Saturn moving retrograde against the stars and then a good look at the way that the 2nd century astrologer Ptolemy modeled these motions using the Earth as a static frame of reference and adding a second cycle called the epicycle that would account for the retrogradation and allow astrologers to better predict its occurrence and planetary position.
You can read more about the mechanics of apparent retrograde motion and the frequency with which the planets are retrograde in the Wikipedia article on “Apparent retrograde motion“.
Ancient astrologers attached a lot of importance to the points where a planet appears to stop and change directions, which were called the “stations” of the planets. The “first station”, or “retrograde” station, was when the planet appeared to move backwards, and in Hellenistic and Perso-Arabic astrology was considered to signify a weakening of that planet’s own significations. The “second station”, or “direct” station, was when the planet appeared to move forward again after a period of retrogradation, and was considered to signify a strengthening of the planet’s own significations.
In the introductory works by Abu Ma’shar and al-Qabisi they discuss strengthening and weakening conditions. Both astrologers first point to the retrograde station as a major weakening condition. Some authors, such as Sahl quoted below, have also given helpful metaphors for understanding the stations.
If a planet were to stand toward retrogradation (that is, if it were in its first station), it signifies the dissolution of a purpose, and disobedience; and if it were to stand toward direction (that is, if it were in its second station), it signifies forward direction after the slowness or duress of the matter. And every planet which is a significator and wished to go direct (that is, if it were in its second station) signifies the renewal of the actions of matters, and their action and strength or forward movement. And if it were in the first station, wishing to go retrograde, it signifies their destruction and slowness and dissolution. (Sahl Bin Bishr, The Fifty Judgments, #48, Dykes trans., 2010, p. 107)
While retrogradation is given a lot of hype in modern astrology and in late traditional astrology, its importance is typically overblown. In my experience a retrograde planet is not much weakened, and retrogradation is extremely common. For instance, Saturn is retrograde about a third of the time and Mercury goes retrograde three-to-four times per year for about three-to-four weeks at a go. While retrogradation itself is only a little bit weakening (a tendency toward contradiction and antagonism were often associated with the action of retrograde planets in ancient literature), but the actual stations are very significant in terms of strengthening and weakening. Typically within about a week within the station the planet may be considered to be made more or less prominent depending on the nature of the station, and to an extent that depends on how close to the station in time. For instance, someone born within a day of Mercury stationing direct would be considered to have a very prominent Mercury in their chart. Someone born within a day of Mercury stationing retrograde would have a very weakened Mercury. One born 6 days from a Mercury station would also have Mercury strengthened or weakened but to a lesser extent.
Finding Planetary Stations
Let’s pull up some charts looking for stations, and also looking again at advancement.
We are going to pull up charts in the free, open source, traditional astrology program called Traditional Morinus. I’ve previously discussed installation and pulling up charts in Morinus on this blog, so I highly recommend that the reader stop at this point to read those article and install the software. My article discussing installation of Morinus is here. Since that article the program has undergone many updates. The newer versions are easier to use because they now have a location lookup, which I discussed here. Not only is Morinus a free program, but it is also one of the programs with the best traditional capabilities, including accurate primary directions, and is very frequently updated and improved upon. It is open source, meaning that programmers are free to examine the code and improve upon it, making it truly THE astrological program of the astrological community. I recommend it above all other astrological programs for the beginning to the advanced student. Nearly all charts and charting examples on this site come from the program. Please take the time to download the program and familiarize yourself with it by pulling up a few charts and saving them before proceeding.
Once you have the program installed and have a chart up, you should modify the following settings. Hold “Shift” and press “u”, or go to “Options” and make sure there is a check next to “Automatic save”, so that changes that you make to settings will be saved for the next time you open the program. Hold “Shift” and press “F6”, or go to “Options” then “Housesystems” and select “Whole Sign”. For charts that look like mine, you will want your appearance options (Shift+a or Options>Appearance I) to be as in the picture below, where Terms is selected and the chart is black and white.
Week Before, Week After
The surest way to determine if a planet stationed within a week of someone’s birth is to compare the birth chart with the chart 1 week before the birth and that 1 week after the birth. Retrogradation is symbolized by a little symbol of an “R” with a line through part of it, which is next to the planetary glyph in the chart. Also, if one presses the F11 key, then a table of the planetary speeds appears in which negative speeds by longitude indicate retrograde motion. The Sun and Moon never have apparent retrograde motion, so they are not examined in this respect.
Let’s look at Steve Jobs’ chart (click here for chart data). First, you’ll notice that the Moon, followed by Jupiter and Venus, are the most advancing planets in the chart. You’ll also notice that the Sun and Saturn are retreating and that Mercury isn’t advancing much. In the chart below I’ve highlighted that Mercury and Jupiter are retrograde. It is important with any chart that you make an initial mental note of which of the planets are retrograde.
In order to check if any planets stationed within a week of Steve Jobs’ birth, we change the day of birth to one week earlier, pulling up the chart to see which planets are retrograde, then we do the same for one week after the birth. If there are no stations then Mercury and Jupiter would be the only retrograde planets one week prior and one week after birth. If this is not the case then there has been some type of station and we’ll have to do some deeper digging.
To start hold CTRL and press “d” or go to “Horoscope” and then “Data”. Jobs was born on the 24th so we’ll switch it to the 17th, which will show the chart below.
One week before birth, Mercury and Jupiter were retrograde while Venus, Mars, and Saturn were not. This is just as in the natal chart, so there were no stations in the week prior to birth.
Seven days after his Feb. 24th birth would be March 3rd. So we put that date into the Data area and pull up another chart, again checking for some difference in retrogrades. This time we do find some differences. Jupiter was still retrograde a week after birth, but Mercury was no longer retrograde. Therefore, Mercury stationed direct at some point within the week following his birth. Additionally, Saturn is now retrograde, while it was not in the birth chart, so it stationed retrograde at some point in the week following his birth.
Now, we know that Mercury is stationing direct in Steve’s birth chart and that Saturn is stationing retrograde, but we don’t know to what extent. How close were the stations to Steve’s birth? I like to start with one day increments from the birthday, so I look first at February 25th, then the 26th, and so on. Doing this I find that already by February 25th, within 24 hours of the birth of Steve Jobs, Mercury had stationed direct. Therefore, this is a very prominent Mercury direct station. We initially noted that Mercury wasn’t really advancing much, so by advancement, Mercury didn’t seem prominent at all. However, we now know that Mercury is very prominent in the chart because it was stationing direct very strongly when Jobs was born. This means that the natural significations of Mercury have a prominent influence over his life. This is quite significant as Mercury is the planet of intellect, business, technology, and computing.
On the other hand, when we progress day by day, we don’t find Saturn retrograde until we get to March 1st, which is five days out, so Saturn stationed retrograde between four and five days after his birth. Saturn was weak by retreating, and here we see Saturn a little bit more weakened by the fact that it was gradually stationing retrograde at the time of birth. Therefore, we expect the significations of Saturn to be in the background in his life rather than prominent.
Applying to Charts
What about in your chart? Were any planets stationing at your birth? If so, how do the indications of the stations compare with the indications from advancement?
One of the interesting things about this technique is that a planet that seems like it may be retrograde and thus could be said to be slightly weakened often is revealed to be extremely prominent, as in the case of Mercury in the chart of Steve Jobs. Unfortunately, little attention is paid to planetary stations near one’s birth in astrology today, even in most traditional circles. Additionally, too much stress is placed on retrogradation, so it comes to pass that weak planets (direct ones stationing retrograde just after birth) are thought to be prominent and prominent planets (retrograde ones stationing direct just after birth) are thought to be weak. Get in the habit of checking the week before and the week after a chart, with every chart, and you won’t make this mistake.
In terms of meaning, the retrograde station has the feeling of significations drifting out of reach, being involved in delays and so forth. The direct station has the feeling of significations starting out in a prominent and pioneering way, such as with forceful resolve. It’s like with the retrograde station the planet gets to the party and says, “oh wait, I’m sorry, I forgot something, and I need to go home and get it”, while the direct station planet has been tied up for some time and now has some free time to move forward with some established plans its excited about.
Appearances or Phasis
Just as famous celebrities and politicians make important appearances, so do the planets. The most important appearances pertain to the relationship of the planets to the Sun. The Sun is like the king in astrology, signifying powerful authority and leadership. When a planets is close to the Sun by zodiacal longitude, then it starts to become obscured by the light of the Sun. In ancient astrology, the standard distance is typically 15 degrees from the Sun. When a planets is within 15 degrees from the Sun it is “under the beams” or “combust”. Planets under the beams are weakened in the sense of being more hidden or covert. You could think of this as akin to a person who is employed in some special government operation. The agenda (Sun) outshines their own personal expression (their overt expression of their nature), forcing them to come under a more restricted code of conduct and more limited communication.
An exception to this rule of planets under the beams being “hidden” is when planets are within about 1 degree from the Sun, which is called “cazimi” or “in the heart of the Sun”. This is like being able to rule in the king’s stead or taking on the authority of the throne. A planet in such a position becomes much more prominent, but planets which are cazimi are rather rare. A particularly forceful cazimi would be an occultation of the Sun, such as the recent “Transit of Venus“.
Many astrologers are aware of combustion and cazimi, but another very important solar-related doctrine, that of “appearance”, has been forgotten. A planet makes its appearance (or is “in phasis”) just before it goes into the beams of the Sun or right after it comes out from them. This phenomena is also known as the heliacal risings and settings of the planets. Therefore, appearance is when a planet is exactly 15 degrees from the Sun, moving closer or further away from it. Think of it like the planet having an important visit with the media either right before its going to have to encounter the authorities or immediately after it has. In both cases the planet is more prominent, but in one case of the importance ending up going covert and in the other case of exposure.
A planet making an appearance is called “in phasis”. A consideration of phasis tends to be included in ancient techniques for finding professional significators. It seems that its link with the Sun ties it to a sense of what someone becomes known for, much like the reporting to the media metaphor that I’ve used.
We, then, looking out for the topic of injury, entered into the type of action in this way: the givers, then, of actions are Mercury, Venus, and Mars; the effective houses are the ascendant, the midheaven, the IC, and the [houses] succedent to these, but also indeed the sixth houses, and the Lot of Fortune, and the application of the Moon, and the [star] making its morning appearance or its evening rising seven days before or seven days after. (Rhetorius, Astrological Compendium, #82, Holden trans., 2009, p. 134)
Paulus Alexandrinus (4th century CE) discussed the phases of the stars and the terminology associated with phasis, and this was elaborated upon by his commentator Olympiodorus of the 6th century. A planet in phasis which is coming out from the beams is also called rising or arising, as it is in its heliacal rising (think of rising out from the beams). A planet in phasis which is going into the beam is also called setting (occasionally called disappearance), as it is in its heliacal setting (think of setting into the beams). Be cognizant of these other uses of the terms “rising” and “setting” because there are times when rising and setting planets are discussed in the literature where an unknowing reader might assume it is relative to the horizon but it is actually relative to the beams of the Sun.
The heliacal setting is sometimes viewed as weakening while the heliacal rising is viewed as strengthening and more important for professional matters. In practice I’ve found consistently that both are strengthening and both can be relevant for professional significator. For instance, in the example of Hitler given in this post, the planets in phasis are Venus then Mars, both setting into the beams, but both very significant for his professional development and aspirations in his life, first to be an artist, then to be a warring conqueror. However, planets setting into the beams do seem to take on many of the significations associated with being under the beams, so it is something of a mixed bag. Valens associated a planet going under the beams with troubles, interruptions, and possible secret difficulties.
I personally associate being under the beams with the sense of something or someone powerful putting causing things to go underground so-to-speak, whether in hiding, covert, deceptive, repressed, and so forth, but not necessarily good or bad in a blanket sense. For instance, do you feel that you can fully and entirely be yourself around your parents or grandparents or boss? I think that this helps to explain why planets in a place where they held some authority or power (a house or bound they had some rulership over) were not thought to be weakened at all by being under the beams – they were under the influence of a power but also had a sort of powerful independence, like a person visited by a king but without a need to subjugate oneself to that king.
Morning and Evening Stars
Another common distinction is between morning stars and evening stars. Those rising (above the horizon) before the Sun are said to be “right” of the Sun, oriental the Sun, or morning stars (because they can be seen in the morning before the Sun rises). Those rising (above the horizon) after the Sun are said to be “left” of the Sun, occidental the Sun, or evening stars (because they can be seen in the evening after the Sun has set). Morning stars were thought to have quicker and more outgoing significations, such as bringing about their significations quickly when activated by time period and pertaining to events earlier in life. Evening stars were thought to have slower and more progressive significations, such as something developing as time goes by or coming about later in life.
Checking for Appearances
We are interested in this occurring within about a week from birth. Therefore, our habit of checking one week before and one week after birth has a dual purpose, of looking at stations and appearances both.
When looking for appearances, we are concerned with the degree position of the Sun and that of the planets near the Sun. Mercury and Venus always stay pretty close to the Sun, so they are most often in phasis. The degrees of the Sun and planets are shown right in the chart (as well as the minutes in smaller type). Each sign has 30 degrees, so if the Sun is at exactly 25 degrees of one sign, and Mercury is at 10 degrees of the next sign, then Mercury is 15 degrees from the Sun and is in phasis. As with stations, we are not concerned with the Moon when it comes to phasis. The combustion of the Moon is significant though, lending a sense of covertness to the Moon’s significations.
Look again at Steve Jobs chart above. Scroll up if you need to. Better yet, hold CTRL and click on the chart so that it opens up in a new browser tab. Do the same for the charts of one week prior to his birth and one week after.
You’ll notice that Steve’s Sun is at 5 degrees of some sign, the one that is number 7, (in this case Pisces, but you don’t need to know that yet). Besides the Moon, the planets tend to move about a degree per day or less so, sometimes, in the case of Mercury up to about 2 degrees per day. Therefore, if a planet is more than about 30 degrees from the Sun we don’t concern ourselves with it at all when checking for phasis. The only planet within about 30 degrees from the Sun is Mercury which is at 14 degrees of the sign before, the number 6 sign, which in this case is Aquarius. The Sun and Mercury are a little bit over 21 degrees from each other. Mercury is moving backwards and is in a sign before, so they are moving away from each other, so we know they won’t become within 15 degrees of each other at any point after birth. The question is whether Mercury and the Sun were ever within 15 degrees of each other at some point within a week before birth. To answer this question, we’ll look at the chart from a week before birth.
Looking at the chart from a week before birth we find the Sun at 28 Aquarius and Mercury at 17 Aquarius. This is a distance of about 11 degrees, which is less than 15 degrees, so Mercury was under the beams less than a week prior and made an appearance coming out from the beams at some point. Now we need to find out when. So starting with the 23rd, we move back one day in the birth data, pulling up charts until we get to the point that Mercury ends up being less than 15 degrees from the Sun. Doing this you’ll find that it is on February 19th, 5 days before Steve’s birth, that Mercury is under the beams (i.e. within 15 degrees from the Sun). Therefore, Mercury made its appearance four-to-five days prior to Steve’s birth.
With that our look at the three basic general prominence factors in Steve Jobs’ chart is finished. We found that the Moon was strongly advancing but that Mercury, while not advancing much, was very strongly stationing direct and was in phasis coming out from the beams. Therefore, Mercury is a very prominent planet in the life of Steve Jobs.
I’m going to run through a number of examples very quickly, noting the important information obtained from the three basic general prominence factors. The data for all examples is from Astro-Databank.com. If you have any questions as to anything I discuss here or are obtaining different results, please comment and I will do what I can to assist.
Hitler has a very complicated chart. Mercury, the Sun, and Saturn are most prominent by advancement while Jupiter and the Moon are weakened due to retreating. Looking at stations, we find that Saturn is made even more prominent by a direct station about 6 days before birth and that Jupiter is even more weakened by a retrograde station about 4 days after birth. Mercury is somewhat weakened (or at least hidden/covert) due to being deeply under the beams and not in phasis, about 5 degrees from the Sun. Mars and Venus are both between 15 and 16 degrees from the Sun, so I would consider them both quite strongly in phasis, going into the beams, with Venus going into the beams within 24 hours and Mars within 3 days.
We conclude that Hitler’s chart has many prominent planets, but with Saturn, the planet of lack, hardship, loss, darkness, discipline, and control as particularly prominent. The Sun, planet of leadership, authority, and influence is also very prominent. Saturn and the Sun pertain very strongly to Hitler’s ability to rise to power and the dictatorial style of his rule. Venus and Mars are prominent in their own ways as both are advancing and very strongly in phasis, with Venus going very quickly and deeply under the beams while Mars slowly descends into them. These appear to pertain most to his career aspirations, from trying to be an artist (Venus) to trying to be a conqueror (Mars). Mercury is very important in the life, but covert, which may indicate a lot of secretive activity of an intellectual nature. Jupiter, the planet of opportunity, abundance, generosity, goodwill, friendship, kindness, spirituality, and expanded or elevated mindset is very weak as it is retreating and stationing retrograde.
In Kurt Cobain’s chart Mercury is conjunct the Descendant, and with it Venus and Saturn are also strongly advancing, while the Sun is retreating. Therefore we expect Mercury (voice, writing, intellect, cleverness, business), Venus (the arts, love, women, sensuality), and Saturn (hardship, darkness, loss, obligation) to all be quite prominent in the life, while we expect the Sun (leadership, authority, honors, power, confidence) to be backgrounded in the life, at least in a general sense. Mercury is in phasis, though setting into the beams, within 2 days after birth, so very strongly. However, Mercury also stations retrograde within 3 days after birth, which is strongly weakening. Therefore, Mercury’s significations in the life are fairly complex with both a great significance as well as a potential for dramatic reversal or antagonism against a former path, and the capacity to signify covert complicated or intellectual activity as it is setting under the beams.
Alfred Witte was an early 20th century astrologer, and possibly psychic, who pioneered a new system of astrology, very different from both traditional and typical modern forms of astrology, which was called Uranian astrology. His astrology was based strongly in symmetrical relationships of planets to each other. Witte ended up committing suicide after being targeted by the Nazis.
Notice that Jupiter, the planet of wisdom, spirituality, abundance, generosity, and elevation is strongly advancing, conjunct the IC. Mars, Mercury, and Venus are also advancing with moderate strength, while Saturn is both retreating and under the beams pretty deeply. There are no stations in his chart. Saturn is barely in phasis, setting under the beams about 7 days before birth. Mercury and Venus are very close to each other, in the same degree actually, and are both almost exactly 15 degrees from the Sun, so both are extremely strongly in phasis. Venus is morning rising, rising out from the beams, while Mercury is morning setting, falling under the beams. Therefore, it is Venus, Mercury, and Jupiter which are the most prominent planets in Witte’s life by these basic methods. It is interesting that Mercury and Venus are so strongly joined to one another, as Witte’s astrology, dependent upon symmetry, has a sense of mathematical harmony to it and visual elegance which shows a nice fusion of the intellectualism and symbol manipulation of Mercury combined with the aesthetics of Venus.
Frida Kahlo was born with the Moon very strongly advancing toward the midheaven. Venus is the next most advancing planet, while Mercury was retreating. Jupiter was under the beams. Mars was retrograde but not stationing. Saturn was stationing retrograde within about 4 days of birth and Mercury was stationing retrograde within about 5 days of birth. Overall we would judge Mercury to be weakened and placed in the background, both from retreating and the retrograde station. We’d also judge Saturn to be somewhat weakened. The Moon, the power of irrationality, subjectivity, nurture, ubiquity, mothers, instincts, the wild, and vivid depth, is extremely prominent. Venus is also quite prominent due to her advancement toward the midheaven (as well as her rulership of the mideheaven, though rulership will be addressed in a future post).
It’s my hope that you’ve found in this post some new and valuable techniques for evaluating planetary prominence. If you are a beginner and are having any trouble with this material please comment below. In future lessons we will start to explore the signs, houses, and aspects or configurations which are the core theoretical elements of the Hellenistic system of astrology. However, it is good to get in the habit of first looking at each chart in terms of these basic indications of general prominence. This will tell you which planets are loudest and which have something very important to say about the life as a whole.
Unfortunately, it is very easy to identify which sign each planet is in while it’s a bit more difficult to check and see which planets were advancing, which retreating, and particularly to check out whether there were any stations or appearances. There is also a sense in which we are looking at something much more concrete when examining advancement, stations, and appearances in this way though. Most considerations in ancient astrology are based in abstract mathematical divisions of the ecliptic, into signs, those signs ordered into houses, and the sign relationships and angular relationships of the planets producing configurations. Here we are for the most part dealing with the more raw and basic observations of wandering stars rising, culminating, setting, changing direction against the stars, appearing from the rays of the Sun and disappearing into them.
Practice with these three basic techniques on your own chart, those of people you know, and those of celebrities (from Astro-Databank). Feel free to expand upon them with what you know of combustion, cazimi, arisings vs. settings, and morning vs. evening stars as well. If you’d like to discuss your findings please do so in the comments. Critical objections are also very important. For instance, if phasis is important for professional indications, then why was it the case that Kahlo’s Venus was under the beams rather than in phasis? It is vital that you start thinking critical in these ways because ancient astrology is very vast and we are still just dealing with general prominence. Prominence relative to the self and specific topics such as profession brings in additional considerations and concepts. This complexity and vastness of ancient astrology is a good thing because human life is even more complex and vast.
Of course no astrological system could ever predict the full complexity of any human experience, for the very same reason that no communication of human experience could ever full convey such experience – the map is not the territory. Nevertheless, by continually learning and honing our skills in ancient astrology we may start to say intelligent and true things about past, present, and future circumstances that are thought to be impossible. Also, in receiving this information through a language derived from the heavens themselves arranged by intelligences so far beyond our own, we come to appreciate the humble place of our little minds within a brilliantly cognizant existence.
Ma’shar, A., & Al-Qabisi. (2010). Introductions to Traditional Astrology. (B. N. Dykes, Trans.). Minneapolis, MN: The Cazimi Press.
Rhetorius of Egypt, & Teucer of Babylon. (2009). Rhetorius the Egyptian. (J. H. Holden, Trans.). Tempe, AZ: American Federation of Astrologers.
This is a series of posts for those wishing to learn the basics of applied Hellenistic astrology. In the last post, we looked at the basic significations of the planets, as well as some history and preliminaries. If you haven’t already done so, please read that post, and spend a little time thinking in terms of the planets, before proceeding.
Those looking for an easy way to explore the significations of the planets in more depth should download the PDF of the full English translation of the Anthology of Vettius Valens (click here to open the PDF or right click and choose “save as” to download). Not only is it an indispensable and enormous text of Hellenistic astrology, but it begins immediately with Valens on the significations of the planets.
Contrary to popular belief, you don’t need to spend hundreds of dollars to obtain really good software for traditional astrology. As we proceed to learn about how to read a chart in this lesson, I’m going to walk you through pulling up charts using the free online Astrodienst (astro.com) charting service. In a future lesson I’ll show how to pull up charts and work predictively in the advanced open-source traditional astrology program, Morinus.
I recommend first pulling up and downloading a copy of your chart using Astrodienst, which is at Astro.com. It is free to register with the site and the process is rather self-explanatory (click Login in the upper right corner, then “Create a free registered user profile” and follow the instructions) . After registered, you will find that you are faced with many free and paid computer-generated reading options. I personally don’t recommend any of the computer-generated readings on the site. There is also a chart-drawing service though, and it is quite good for pulling up birth charts. The section of the site called “My Astro” allows you to store many people’s birth information for easy access to your charts from anywhere with internet access.
It is easy to chart in Astrodienst, but first you will want to have your birth information handy. The information that you’ll need is the date, location (city), and time of birth. Typically a birth certificate is the more accurate source for this information. Obtain this information before proceeding, either of your own birth or that of someone of interest.
With birth info in hand, log in to Astrodienst and (if necessary) click the “Add new Astro data” link. Fill out the Birth Data Entry and click “Continue”. Make sure the correct town is selected and click “Continue” again. If this is your first time using the program you might be taken directly to the Free Horoscopes page, but if not then click the “Free Horoscopes” link from the top bar. Scroll down and choose “Chart Drawing Ascendant”. This is the option that will do for now, even though it uses a modern house system and includes outer modern astronomical planets, as well as Chiron and a lot of information beside the chart, some of which is insignificant. Once the chart is up, you can use the drop down menu above the chart to choose to pull up the chart for other people whose birth information you’ve entered. Click on the chart to pull it up in a window of it’s own, where you can right-click and choose “Save Image As” to save the chart to your computer, or press CTRL+p to print the chart. The chart should look something like what is below, which is the chart of Angelina Jolie (press CTRL+Click on the chart to expand in a new tab).
In your astrological studies, a time will come when you’ll want to check out the charts of celebrities. There is a database of celebrity charts that is now maintained by Astrodienst and integrates with its My Astro chart collection. This database is called Astro-Databank (click to go there).
Let’s say that you wanted to add Angelina Jolie’s chart to your own chart collection. You would type “Angelina Jolie” in the Search box and then click her name from the list of results. This will pull up her biography and chart information, with a small chart that you can click to see larger (click here to go there). Make special note of the “Rodden Rating” which is an evaluation of how accurate the birth time information is likely to be (AA is best, while anything C or below shouldn’t be trusted). To add birth information to your collection click the link “add Angelina Jolie to ‘my astro'” which appears below the grey box.
There is much on this chart drawing that you should ignore for now, including all the red and blue lines jutting around the chart. For now imagine that the small center circle inside the chart, around which the numbers appear, is like the sphere of the Earth. Look at the four bold lines that jut out from that sphere. These 4 lines are much like the “cross-hairs” of the location. It is as if planets on them have arrived at the location, those moving toward them are arriving, and after passing a planet is leaving the location. These 4 points are called the “Angles” or “Pivots” of the chart. Planets on them are extremely prominent or important in their significations over the life.
The horizontal lines are the horizon at the place you were born. Notice on the left that it is marked with an AC, for Ascendant. On the opposite side there is a DC, for Descendant. The Ascendant is where planets rise or “ascend”, while the Descendant is where they set or “descend”. The Ascendant is in a general eastern direction and the Descendant in a western one, as “the Sun rises in the east, and sets in the west”. A planet above the line was above the horizon, i.e. in the sky, at the person’s birth, while one below the line was below the horizon, i.e. under the earth.
You will notice that there is a planetary symbol at Angelina Jolie’s Ascendant. The symbol is that of Venus. Venus is therefore very prominent over Jolie’s life, and her significations of beauty, love, creativity, the arts, and general physical benefit are very “loud” in her life.
Sect of the Chart
For astrological purposes, a chart is a day chart or diurnal if the Sun is above the horizon, while a night chart or nocturnal if the Sun is below the horizon. This is known as the sect of the chart. The symbol for the Sun is above the horizon in Jolie’s chart, so she was a day birth, and in a sense we may think of her, herself, as of the diurnal sect.
The vertical, nearly perpendicular lines, are the meridians, like the vertical lines you see on a globe. The top one is where the Sun reaches its highest point or “culminates” up in the sky, which is the natural “Noon” position. The bottom one is the meridian on the other side of the earth, where the Sun anti-culminates under one’s feet at the natural “Midnight”. The top angle is that of the sky and is called the medium coeli (“middle of the sky”) or midheaven, abbreviated MC. The bottom angle is the angle of the earth, called the imum coeli (“bottom of the sky”), abbreviated IC.
If one is in the northern hemisphere, the top angle is exactly due south, because we are looking toward the equator to the south when we see a culminating planet. The other angle is due north. Thus the astrological chart is like an upside-down map as far as directions go. The top is south, the left is easterly, the bottom is north, and the right is westerly.
Looking at these additional two “Angles” we see that Angelina Jolie has one planet on the MC. That planet is Jupiter, planet of fortune, opportunity, gifts, generosity, and general social and mental benefit.
The numbers next to Jupiter’s symbol are the degrees and minutes of the sign where Jupiter is located. These are coordinates of its location. Notice Jupiter is at degree 17, as is the MC. They are in the same degree out of the 360 degree circle. Similarly, Venus was in the same degree as the Ascendant. Because the degrees on the angles shift about every 4 minutes (of regular clock time), it is rare to find a planet in the same degree as an angle. Typically, we will consider a planet on an angle when within about 3 degrees, or a little more than that when dealing with the Sun and Moon. Notice that Mars is at degree 10, which is about 7 degrees from the MC, so we wouldn’t consider it on the angle. The Moon is at 13, which is about 4 to 5 degrees from the MC, so we would judge the Moon to be of increased prominence as well in this chart by this method.
This idea of a planet becoming more prominent when it reaches the horizon or meridian of the location (i.e. one of the Angles) vastly predates the advent of horoscopic astrology and is a feature of geographically disparate astrological traditions. This is why I feel it necessary to present it first.
A quick survey of archaeoastronomy reveals attention to the moments when important planetary phenomena reach the angles in the construction of temples, monuments, and sacred sites the world over. For example, El Castillo, a step-pyramid at the center of the Mayan Chichen Itza, has a western face that points to sunset on the traditional date of the start of the rainy season. Similarly, Stonehenge has important alignments to risings and settings marking the annual transitions of midsummer and midwinter. Karnak (in Egypt) and many other such sites reveal similar attention to risings, settings, and culminations on key days of the year. Again, the basic idea is to draw attention at the time of the planet’s “arrival” to one of the distinguishing coordinates of the location.
Advancing and Retreating as Metaphors
You’ll notice that very few people have planets actually conjunct (i.e. on or at) an Angle. However, while this is the most powerful position, Hellenistic astrologers did attach increased importance to a planet approaching an angle, and decreased importance to one receding from an angle. The exact definition of when a planet is considered approaching or “advancing” and when it is considered receding or “retreating” varies slightly with different authors but the idea is the same. The idea is that a planet’s significations become increasingly strong as it moves closer and closer to the angle, becoming strongest when it is conjoined to the angle, and then quickly dropping off until it has traveled sufficiently toward the next angle.
You may recall that a planet rises at the Ascendant, culminates at the MC, sets at the Descendant, anti-culminates at the IC, and then rises again at the Ascendant. This clockwise motion is called the Primary Motion and is shown below.
Convenient for our purposes, the concept of advancement and retreat was confused for a method of assigning topics to the signs, called the division of the houses. Thus in modern charts, including this one provided by Astrodienst, the space between any two angles is divided up into three segments, which are numbered for houses, but actually are to be used for evaluating strength by way of this concept of advancement and retreat. Planets in one of the segments that is right after an angle by primary motion (marked 3, 6, 9, and 12 on the chart) are “retreating” from the Angle or “inoperative”. Those that in other segments are advancing. Those that are in the segment just before and up to the Angle are even more advancing or “operative”.
Therefore, looking at Angelina Jolie’s chart, we judge Venus, Jupiter, and the Moon to be especially prominent or “loud” because they are conjunct Angles. By contrast, we judge that the significations of Saturn and Mars are overall much quieter in the life because they are retreating. The Sun and Mercury are advancing but not very strongly, so they are middling in terms of the volume or “loudness” of their significations in the life.
Rather than viewing advancement and retreat in a discrete way, where we chop things up into strong, middle, and weak, I tend to view it as a continuous matter of a planet being of very low volume after separating from an Angle and then volume gradually being turned up on it as it nears it. Planets approaching an angle within about 15 degrees or actually conjunct an Angle I take to be especially loud, and tend to call “strongly advancing”.
It may take a beginner some time to get used to the significance of this technique because it doesn’t necessarily apply to the person’s specific personality or what they’re known for. It is very possible for a retreating planet to have great significance over a person’s character or profession and likewise possible for a strongly advancing planet to have little relevance for these things. The basic idea is simply one of general strength, where I think the metaphor of “volume” as on a stereo, comes in handy. Because the volume of Venus and Jupiter are at full crank in Angelina Jolie’s chart, we imagine that the things those planets stand for are pervasive through the life, including the people, events, and things encountered in it. It’s as if the life is being pumped full of Venus and Jupiter energy or those gods have taken a keen interest in it and are very actively at play there.
In Angelina’s case, Venus and the Moon are also very significant for the character and personality, but this is not because of the advancement, but due to other factors we’ll cover later. The only thing that advancement tells us is that the significations are loud and likely to be quite broad. The person is nearly constantly encountering things signified by that planet for better or worse.
Hellenistic Astrologers on Advancement
Advancement is a concept that tends to be ill-understood today but was discussed by many Hellenistic astrologers and explicitly addressed by many Persian ones. Most of the Hellenistic astrologers bring up advancement in connection with the robustness of a significator of the native’s health in instructions for examining longevity and health threats.
Dorotheus does not discuss advancement much, but does have a few instances where he brings up a 15 degree rule, in which he attributes a planet approaching the Ascendant within 15 degrees as having equal power as a planet in the rising sign, even if the planet is not in the rising sign. This rule is found Book I, Chapter 7, #7, as well as book III, Chapter 1, #23, of Carmen Astrologicum. The rule also appeared in Porphyry in a section attributed to Antiochus.
Valens gives a good thorough exposition of advancement in Book III, Chapter 2 of the Anthology. The chapter is dedicated to explaining the concept which for Valens defines the “operative”, “average”, and “inoperative” degrees (as opposed to operative and inoperative places which is another matter). Valens finds the operative and inoperative degrees by dividing the distance into thirds by zodiacal degrees. For instance, if there were 120 degrees between two angles, then each third would be 40 degrees in length.
Then it is necessary to take the distance in degrees from the Ascendant to the IC (moving in the order of the signs), to consider one-third of that total distance to be the “operative” degrees in the configuration of the angles, and to consider the stars in these degrees, whether benefics or malefics, to be powerful. (Valens, Anthologies, Book III, Ch. 2, Riley trans., 2010, p. 59)
He instructs to make the same type of division between each of the angles. He describes the power of the thirds as follows.
So then, the first third from the Ascendant will be operative and powerful, the second third will be average, the third third will be crisis-producing and bad. The stars <in these regions> will act in the same way. (Valens, Anthologies, Book III, Ch. 2, Riley trans., 2010, p. 59)
In the above quote he seems to imply that a planet becomes more malefic (i.e. “bad”) when retreating. However, I think Valens is referring to it being bad when a major health significator is in such a position because it is weakened. My experience is that retreating planets do not signify as prominently, but do not signify more malefic things, i.e. that it is a general strength consideration but not a goodness one.
Ptolemy also defined certain regions of power where a planet relevant to longevity matters was to be found. In his discussion (Book III, Ch. 10) one of his regions is from 5 degrees above the Ascendant to the 25 degrees below it. Thus the region of strength here appears to be the 25 degrees up to the angle, and the conjunction seems to extend 5 degrees.
Now let’s look at some example charts using a fluid sense of Advancement in which we are most interested in the one or two planets that are most prominent and least prominent in the life by the method. The chart drawings I post will be from the Morinus program, but all the charts I will use are also available on Astro-Databank and I’ve provided the link. The charts from the Morinus program properly number the houses, so rather than using the numbered divisions as your guide, think visually in terms of proximity to the angle the planet is approaching.
Remember that here we are looking at one factor of general prominence in the life, which may be compared with “volume”. Later we will look at other factors of general prominence and factors that signify personal prominence and even self-identification.
In Hitler’s chart Saturn (darkness, death, challenge), Mercury (rationality, writing, voice), and the Sun (leadership, power, confidence) are all very strongly advancing, while the Moon (deep significance, nurture, the irrational) and Jupiter (generosity, spirituality, loftiness) are retreating.
In Kurt Cobain’s chart Mercury (rationality, writing, voice), Venus (beauty, creativity, love), and Saturn (darkness, death, challenge) are strongly advancing. The Sun (leadership, power, confidence) is retreating.
In Billy Graham’s chart Jupiter (generosity, spirituality, loftiness) and possibly the Moon are advancing. Mars (violence, physical work, aggression) is retreating.
You’re probably wondering why I haven’t used the examples of Einstein, Bjork, James Randi, and Barack Obama after having focused on them in the last post. There are two reasons. First, I want you to look up their charts on Astro-Databank and evaluate advancing and retreating in their charts for yourself as an exercise. Secondly, you will find that some planets that you thought would be strongly advancing are not so, and the same with ones that you thought might be retreating. Advancement is just one piece of the puzzle. Even just general strength involves additional factors which we’ll get to in subsequent lessons. Additionally, a planet can be particularly prominent for a certain topic, such as the self or the professional development, without being prominent in a general sense.
Think of advancing planets as loud and tending to manifest their significations in broad ways that touch upon many areas of life. Think of retreating ones as quieter, and more directed toward topics that they are particularly connected with in the chart.
Look at your own chart, and those of your friends, family, and favorite celebrities. Perhaps make note of the planets you would expect to be advancing or retreating and then compare those notes with what you find. As we proceed you’ll come to better understand the exceptions, where you met the unexpected.
Ancient Hellenistic and Persian Astrology in Practice